Sunday, November 3, 2013

The Curious Face of the Little Dog in the Basement

The Handless Maiden (by Lucy Campbell)
 
 
 
 
I wish you could stop being dead
so I could talk to you about the light… and you

could tell me   again      how the light of late
afternoon is so different from the light
of morning
from “Oma”
Naomi Ruth Lowinsky

Aries 30: Ivanhoe, New South Wales, Australia

The Gypsum Palace Inn
Ivanhoe, New South Wales
 
 
The Thoroughbred Rehabilitation Program is one of several animal programs which have vocational and training components for inmates in NSW correctional centres. At the core of all of these programs is the engagement of Corrective Services NSW with community organisations to bring tangible benefits to the public of NSW.

All inmates selected for participation in any of these programs are under the supervision of correctional officers who also have access to training and development opportunities related to animal studies.
 
 
The Man in Black
Folsom Prison, 11 February 1968
 
 
 
The Ivanhoe (Warakirri) Correctional Centre, an Australian minimum security prison for males, is located in Ivanhoe, New South Wales. The centre is operated by Corrective Services NSW an agency of the Department of Attorney General and Justice of the Government of New South Wales. The centre detains sentenced and unsentenced felons under New South Wales and/or Commonwealth legislation.
 
 
The majority of inmates are Aboriginal. The centre detains up to 55 prisoners who perform cleaning and maintenance tasks, as well as participating in community projects and the mobile outreach program. Inmates may also undertake education programs, including numeracy and literacy, and self-awareness and alcohol- and substance-abuse management programs.
 
 
 
 
Brown Planet a Collaboration quiltmakers: Norma Schlager & Kathy Loomis
of Danbury, Connecticutimage credit
 
 
Following extracts from "Being and Belonging" by Lynn Miller, January 2006
 
According to Aboriginal cosmogenic storylines, sometime in the distant and indeterminable past Beings traversed the earth along certain routes, tracks or 'strings' instituting the landscape and the flora and fauna related to it. 
 
These Beings, while generally conceived as human in shape, were not bound by the substantial constraints of the life forms which they generated. By their interaction with the Earth and each other, the shape of the physical world was defined and the enduring features of the landscape created.
 
Dreaming Beings can be conceptualised as 'stimulators and instigators', designing and defining enduring cosmic shapes, places and connections. As Maddock states, the Aboriginal theory of coming into being is one concerning the 'definition of space and time, not of creation out of nothing'.
 
 
 
Sunrise on the Scrub
Road between Wilcannia and Ivanhoe NSW, 2009.
Photographer: Arthur Mostead
 
 
 
Landscape is central to Aboriginal identity and belonging. The process of shaping landscape is integral to the becoming of Aboriginal reality. The Aboriginal metaphysical system holds that all things are shaped or instituted by the Beings of the creative epoch using the process of self-objectification. The methods of self-objectification employed by the Dreaming Beings ensure that landscape, once shaped, remains a vital force in determining Aboriginal being. Munn describes this process in terms of ‘subject object transformation’, maintaining that three types of transformations are prominent:
 
1) Metamorphosis (the body of the ancestor is changed into some material object);

2) Imprinting (the ancestor leaves the impression of its body or of some tool it uses); and

3) Externalisation (the ancestor takes some object out of his body.)

 
Of the three the first two are the most common modes.
 



Jim & Prue Graham, 
"Karinya" near Ivanhoe,  2008
 
 
 
At the end of the creative epoch, when the infrastructural work had been done and the Aboriginal world embodied, the Dreaming Beings did not die or disembody, but instead, for the last time, metamorphosed or ‘went into’ the landscape which they had previously shaped. Some became what western thought conceptualises as inanimate objects, such as rocks, mountains or streambeds, waterholes or celestial bodies.
 
Some transformed directly into plants or animals. In this way the object becomes eternally
bonded to the subject and permanently identified with it. These objects, places or species
are henceforth bestowed with sacred significance. The places at which the Dreaming Beings ‘went in’ and stayed hold the key to Aboriginal understandings and experience of the nature of reality.
 
 
 
 
Santa in the Desert, NSW
 
 
 
 
 

Saturday, November 2, 2013

Aries 30

Mouth of the Murray River, Goolwa, South Australia
 
 
 
 
 
Now I taught the weeping willow how to cry,
And I showed the clouds how to cover up a clear blue sky.
And the tears that I cried for that woman are gonna flood you Big River.
Then I'm gonna sit right here until I die.
 
lyrics Big River, Johnny Cash
 




Strathalbyn, South Australia

Friday, November 1, 2013

Rocklea Road off Mercy Street

The Fallen
artist: H. Blakey
 
 
 
i do not want to go out as
frenzied molecules trapped by
tough air
as if all moments are this, of this
& more or less, this.


 we dance with jack
through thinning air
our desires a questionnaire.

1946-2005
 April 2005
 
 
 
 
Aspiring Australian fashion designers were tasked with creating a glamorous red carpet dress,
inspired by Darrell Lea confectionary



Jason Durard Lea (1942-2005) was born a candy-man. He inherited his love of chocolate from his grandparents, Harry and Esther Lea. They opened their first confectionary shop - Darrell Lea -  in Sydney’s Haymarket in 1927 and raised their four sons with a consuming commitment to the business. Jason’s father Monty was the second of their four sons
Born in 1943, Jason was Monty and Val’s eldest son – and the first of seven children to grow up in what seemed a children’s paradise. With chocolate factories as playgrounds, Val’s brood was recorded beautifully with her 16mm film camera. But belying the halcyon imagery was an unconventional family where allegiance to business was to rival their love for each other.

Three of Jason’s siblings were adopted. While all were encouraged to work in the factories as youngsters, only biological Leas eventually inherited Lea wealth. As the adopted children - one of whom was Shelton Lea - gradually lost touch with the Leas, Jason and his younger brother Lael were fed into the business. [read more] 
 



Shelton-Lea B&B
Katoomba, Blue Mountains

Thursday, October 31, 2013

A Dream of Beauty

 
 
 
Your love is like a soldier, loyal till you die.
And I’ve been looking at the stars for a long, long time.
I’ve been putting out fires all my life.
Everybody wants a flame, but they don’t want to get burnt.
And today is our turn.
 
Days like these lead to nights like this leads to love like ours,
You light the spark in my bonfire heart.
People like us, we don’t need that much.
Just someone that starts, starts the spark in our bonfire hearts
.
 
 
 
 
 
 
 
"I never shall forget the disappointments that followed my early attempts. Here I was, with this expensive apparatus which had been given to me so reluctantly. I had been sure that I could do wonderful thins with it, but I failed over and over again. I could get nothing but a faint image on the plate, so dim that it was practically worthless.


If there had only been someone to explain what was wrong. but away off here on a farm there was nobody to help me. Again and again I failed. The winter slipped away and I was almost heartbroken. But by the next season I had found the secret of my trouble. I began to use a very small 'stop'--a thin plate, with a tiny opening to shut out most of the light. With this, and a longer exposure, I got a clear image of greater intensity.


The day that I developed the first negative made by this method, and found it good," said Bentley with genuine emotion, "I felt almost like falling to my knees beside that apparatus. I knew then that what I had dreamed of doing was possible. It was the greatest moment of my life.


"That was in 1884., when I was nineteen years old." ~ William Bentley, February 1925
 
 
 
 
 
 

Master Magician: Prince Valiant


The Incomparable Harry Houdini
Broken Wand ~ Woken Brand
image credit


Date With Destiny: June 5 1975


Dear Diary,


Today I went dancing. It was tremendous. I'm rapt in this Irish kid. I don't know his name.




1954
 
 
 
For the next minute or so, the audience caught
fleeting glimpses of a wriggling bundle of
white shirt and dress clothes as it bounced and
kicked itself about the stage.... In a minute and a quarter
the white shirt "rather kicked about but a good one still"
straightened into shape and the audience found itself gazing at
a gasping Houdini.
 
 
 
Houdini opened at the New Opera House on Monday Evening, February 7th 1910. He was part of a long programme of songs, dances and comedic sketches, which all began around 8pm and lasted for almost two hours. The theatres in 1910 were more formal places than they had been forty or fifty years before. The audiences were encouraged to show their appreciation by cheering or clapping rather than throwing objects on stage. It was a time when manners and politeness mattered, and the whole of society was undergoing major technological, cultural and social changes.

Houdini was fully ensconced in this age. He was a man of formal manners, a man who projected himself as a respectable married gentleman. His act was firmly associated with the popular brand of entertainment.

 
 
When Houdini appeared at the New Opera House, he was accompanied by acts such as Fred Curran, the quaint comedian, and Teddie, Decima and Roy McClean, the Australian Dartos. Ted Kalman, the comic singer, and a host of other performers also appeared on the same bill. Houdini was due to appear in the second half of the programme, after interval, second from last, a prime headlining spot.

During his early February performances , The Donnelly family immediately preceded Houdini. They were a dance troupe. Their little daughter Kitty, was the highlight of their turn. After the orchestra had escorted them off the stage it was time for the headliner of the night.

The theatre was full. Approximately fourteen hundred people were in the audience waiting for Houdini to appear. It was late evening, they had been entertained, had laughed and cheered and were now prepared to be befuddled by the mysteriarch. [read more] - HAT: History of Australian Theatre
 
 
 
"It's a little tight across the chest"
Harry Houdini in Melbourne Australia
February 7, 1910
 
 
 

Wednesday, October 30, 2013

Master Magician: Aloha, Bobby & Rose



two young lovers in a city of dreams
68 Camaro
whichcar.com



Stardate: 29587.2


Dear Diary,


Today I went out to see Aloha, Bobby & Rose. I am going with Russell. It was absolute fun. Thank you Lord. (p)


Digger's Rest
the incomparable Harry Houdini





Billy-Ray was a preacher's son
And when his daddy would visit he'd come along
When they gathered around and started talkin'
That's when Billy would take me walkin'
Out through the back yard we'd go walkin'
Then he'd look into my eyes
Lord knows to my surprise
The only one who could ever reach me
Was the son of a preacher man
The only boy who could ever teach me
Was the son of a preacher man
Yes he was, he was, ooh, yes he was
Bein' good isn't always easy
No matter how hard I try
When he started sweet-talkin' to me
He'd come and tell me everything is alright
He'd kiss and tell me everything is alright
Can I get away again tonight?
Songwriters
DRUMMOND WILLIAM, ERNEST

White Privilege: Choice of Straws


"They pass by the bridge and me"
Elegba
 

A professor of neuroscience at Rockefeller University, Bruce McEwen investigates how stress affects the mind and brain. TIME spoke with him recently about stress and health.

What are some common misconceptions about stress?

I’ll start with several pet peeves: that all stress is bad for you and that cortisol [a stress hormone] is bad for you because it’s easy to measure as a marker of stress. These stress systems were put there to help the body adapt and survive. They have a good side and a bad side.

That’s the essence of [what I have labelled] allostatic load:  these systems, which help us adapt and survive can also cause problems when they are overused. [That idea] gets away from the use of the word stress, but when we talk about stress, there’s good stress and toxic stress.


What is good stress?

Good stress is rising to a challenge, feeling exhilarated when your body and brain are working properly to help you do so.


And toxic stress?

It’s intolerable stress. When you lose your job and you’ve got friends and enough material and social support, you can weather it and come out strong. [But] toxic stress is where bad things happen, perhaps because you don’t have the inner or external resources [needed to cope] and perhaps because you have had early life adversity, which makes you more vulnerable to adverse outcomes.


On the other hand, don’t many of the people who have difficult childhood experiences remain resilient and able to cope with stress?
It’s very important to separate that out. You’ve got the family, the caregiver and child relationship, which, if it’s consistent over time and doesn’t involve lots of up-down swings toward the kid and there is stability within the family, even in bad external environments, children can do well.

It’s amazing that children do find brothers, sisters, aunts, uncles, neighbours to find steady guidance. [Even] among kids who have not, there are these examples of kids who manage to survive.



Laurence Fishburne
Matrix Reloaded [2003]
 

So what increases the risk for problems like post traumatic stress disorder (PTSD)?

One of the greatest risk factors is often, as a result of early life adversity, [that] a child develops low self esteem and doesn’t have the ability to control [his stress response]. Vulnerability to problems like substance abuse and PTSD or depression comes with [adverse childhood experiences] but it doesn’t happen in everybody and we have to acknowledge that there are genes and variations that confer increased or decreased risk for this kind of outcome.


But it’s not just a matter of whether certain genetic mutations are present or not. The effects of some genes seem to depend on the environment in which children are raised. So, for example, these genes may make people smarter or kinder if they are activated in a good environment, while they might increase the risk of problems like depression or aggression if they are present in a chaotic one.

That’s the whole area of risk-reactive alleles or variants of genes that are risky [in some situations] but in a nurturing environment lead to better than average outcomes.  They have been called orchid and dandelion genes.



Sidney Poitier
Lilies of the Field [1963]


The orchid and dandelion idea seems to suggest that some people’s talents or best qualities are forever lost if they have the wrong childhood: is that really the case or can they recover later?

That’s where you come into the area of plasticity, that’s newly recognized.  It seems likely [that they can recover] and there is some evidence that the reactivity of those alleles not only determines the outcome in good or bad [early] environments but also confers greater ability for plasticity later if you can find the right intervention.


Can exercise also promote the growth of new brain cells and connections between cells?

The poster child of the ability to change the brain is work on exercise. If you take sedentary people in their 60s and they start to walk  an hour a day, five days a week, the hippocampus gets larger.
Mindfulness-based stress programs can also cause [these kinds of] brain changes.




Esther Anderson & Sidney Poitier
A Warm December [1973]
 
Whether he was playing a student or a teacher, a policeman or a prisoner, a polished professional or a desperate working man, a jazz musician or handyman or doctor, Sidney Poitier, a man of Caribbean heritage, was the image and sound of African-American intellect and pride.


Of course, not all social contact is beneficial, such as the toxic stress that can come from being on the bottom of a social hierarchy.

That can be seen in studies on baboons. The subordinate animal is continually watching and can be attacked from anywhere. The dominant has to watch for a few enemies, but generally has it under control. The subordinate has the posture of low self esteem.

In human terms, the whole idea is that, well, this is why there is a subjective  socioeconomic status (SES) ladder. It’s people’s perception of where they stand that is a predictor of health outcomes.
The lower you are, the more resentment there is and it’s that perception that drives things like a sense of autonomy and other factors [that can determine your response to stress].  It’s also history: people in lower SES groups are more likely to have had adverse childhood experiences and are living in [lousy] neighbourhoods where there is not access to good food, no safe places to exercise and there’s chaos and noise all the time. It’s a vicious cycle.

But it’s where you perceive yourself that matters.  The brain is the key because it perceives and decides what is stressful in the traditional sense of the word and regulates behaviour and physiology.
There are buffering factors. [For example] a person may be a janitor but is the deacon of his church and has a wonderful family, and that buffers [the effect]. And perception is as good [a measure] as objective SES.


Sidney Poitier
To Sir, With Love [1967]


So what else can we do to fight toxic stress?

Many of the obvious things we’ve talked about. Be physically active, get a good diet, [get] adequate sleep, [create] social support, have a good hobby, meditate.  All of these things really are common sense and now we know they do have the benefits of improving our brain architecture.

I think that’s the bottom line. But the bigger question has to do with the social environment we live in, which is determined by the policies we set and politics. The pressure is on us for, ‘faster, faster, faster.’  They’re all working against what our bodies were intended to do. Spend more, do more, faster: that just doesn’t work.


Interview sourced from Healthland


"Papa"
Dr. Edward R. Braithwaite
[1920 -
Ricky's autobiography To Sir, With Love was published in 1959
 
 
 
Further Reading

Tuesday, October 29, 2013

Master Magician: House of Wax




“I don’t play monsters. I play men besieged by fate and out for revenge.”



Stardate: 28160.7

Dear Diary,
Today was went out to Lake Tyers. We caught two fish. We went to Shelly Beach and got treasures.





My Beautiful Picture
Wilhelmina Beatrice Rahner
[1875-1943]
Bess Houdini



I don't like those high-class cats that purr
on the couch in the parlor.
I adore cats that have turned wild,
their hair standing on end.

They hunt birds, prowl,
roam the streets like demons.
They cast their wild eyes at you,
ready to pounce on your face.

Have you noticed that female cats in the wild
are always pregnant?
Obviously, they think of
nothing but love.
Picasso's cats
by Amy Schreibman Walter